Tatiana Abramovich is an artist with a unique creative vision, who since her childhood has seen the world as a vibrant canvas, where details and shades are intertwined into stories and images. Her style reflects a fearless use of color and an attention to delicate details, capturing mood through each line and shade.

 

"Each line and color in my work is a deliberate choice, even if they ultimately dissolve into black. Black, for me, is ideal, it contains and absorbs the full spectrum of colors.”

 

 

Her passion for art was sparked by her grandfather, an amateur artist whose vivid drawings of birds and simple everyday objects as well as his imitation of Russian realist paintings became her first aesthetic reference.

 

Her studying at the Birobidzhan State Children's Art School (1990-1995) began to form her artistic language, compelling her love for drawing into exploration of color, form, and meaning. On graduating from the art school, Tatiana continued to refine her skills on her own, taking inspiration from surrealism and abstract art, especially Kandinsky, Malevich, and Dali.

 

Travelling across Israel, China, and Europe became a rich source of inspiration for her; each city and culture offered fresh perspectives on color, composition, and the intricate textures of human experience.

 

"My works are a dialogue with the world,
filled with intellectual irony and refined sensuality."

 

 

From 2003 to 2007, Tatiana lived in Paris, a city that served a kind of personal school of style and design. It opened her to a world of new influences. She immersed herself in the vibrant histories of Impressionism and Post-Impressionism, she connected deeply with artists like Gauguin, Matisse, Degas and Toulouse-Lautrec. Picasso’s bold vision left a lasting impression on her, showing her new dimensions of artistic freedom. Sculpture spoke to her as well: she found inspiration in the classical forms of Greek art and the emotive works of Rodin. 

 

Art Deco and Symbolism also profoundly impacted her—artists like Leon Bakst, Alphonse Mucha, Erté, and Vrubel infused her work with elegance, mystery, and a touch of theatricality. Returning to Russia in 2009, Tatiana organized a series of solo exhibitions under the title “Naked Consciousness" and participated in the state exhibition of the Union of Young Artists. In her work, she intertwines symbolism with a nuanced sense of design, evoking her refined sensuality and a keen sensitivity to the outside world.

 

"Each completed work is an interaction with the world, an opportunity to break down a viewer’s internal boundaries, to stir emotions, memories, or dreams. My role as an artist is to inspire change, both in myself and in the world around me.”

 

 

Her style is distinguished by its intellectual irony, where she blends sensual themes with sharp wit. Tatiana approaches eroticism thoughtfully, seeing it as a way to explore the fine line between beauty and perception while drawing attention to the intellectual allure that underlies seduction.